Nov 08 2009
Noise – Reduce It At Capture

Noise comes in three types or patterns:
1) Random noise 2) Fixed-pattern noise 3) Banding noise
Noise often has two components—brightness and color:
4) Image noise 5) Luminance noise 6) Chrominance noise
Knowing the type and kind of noise produced will help guide you to solutions to reduce it. There are three types of noise: random noise, fixed-pattern noise and banding noise.
Random noise appears as both luminance (light and dark) and chrominance (hue/saturation) variations not native to an image, but produced by the electrical operation of a capture device. The electrical signal produced in response to photons is commingled with electrical variations in the operation of the capture device. Random noise patterns always change, even if exposure conditions are identical. Random noise is most sensitive to ISO setting. Again, digital cameras have one native ISO setting; higher ISO settings artificially boost the signal produced by the sensor and the noise accompanying it. The results? You get a brighter picture from less light and exaggerated noise. Since the pattern is random, it’s challenging to separate the noise from the image, especially texture, and even the best software used to reduce it through blurring may compromise image sharpness; how much depends on the level of reduction.
Fixed-pattern noise (“hot pixels”) is a consistent pattern specific to an individual sensor. Fixed-pattern noise becomes more pronounced with longer exposures. Higher temperatures also intensify it. Since the pattern is consistent, it easily can be mapped and reduced or eliminated.
Banding noise is introduced when the camera reads the data produced by the sensor; it’s camera-dependent. Banding noise is most visible at high ISOs, in shadows and when an image has been dramatically brightened. This type of noise is obvious and objectionable; the regular row and column patterns from the sensor quickly call attention to the presence of banding noise, and it’s challenging to reduce without severely compromising image sharpness …
Read the rest of the article in the current issue of Digital Photo Pro.
Leave a Reply
You must be logged in to post a comment.